Photography and video produced already knowing where it will end up: website, social, catalogue, signage. Every destination has its own ratio, weight and crop, and deciding them while shooting costs nothing — redoing them afterwards costs another day.
deliver --formats
16:9 website ...... 1920px AVIF 84 KB
1:1 social ........ 1080px WebP 61 KB
9:16 stories ...... 1080px MP4 1.8 MB
4:5 catalogue ..... 1600px AVIF 96 KB
[ok] one shot, four crops decided on set
deliver --originals
included, at full resolution
waiting
$ ./consegna --formati
The website wants it landscape, the feed square, the catalogue portrait, stories full height. Framing for that costs nothing; realising afterwards costs another day on set.
// when you need it
Bad photography does not show up in the accounts, but it shows up in the time someone spends fixing it and in the time customers do not spend on your site.
// what we produce
The work does not end at the shutter: it ends when the file is the size, format and weight the person publishing it needs.
With the crop list agreed beforehand: what needs to be landscape, what square, what vertical. That is the difference between one day and two.
Formats made for where they actually live. A landscape video cropped to 9:16 afterwards looks like it was cropped afterwards.
With the permits handled by us: licensed pilot, authorisation where required, insurance. The part that stops almost everyone who tries it alone.
When the product does not exist yet, or when photographing it would cost more than rebuilding it. Configurators included, if it needs to run on the site.
// how we get there
The moment you save the money is before the lights go on. After that, every missing format is a new day.
Where the images will end up: which pages, which social channels, which print. From that come ratios, minimum sizes and how many subjects are needed.
Products, locations, people, permits. A shoot day costs the same whether or not it is spent waiting: almost every delay is born here.
We shoot already framing for every planned crop, leaving margin at the edges wherever cropping will happen.
Files at the right size and weight for each destination, plus the originals at full resolution. Ready to publish, not ready to work on.
$ cat stack.json
$ ./domande --frequenti
It depends how many subjects, whether a set has to be built, whether people appear, and whether the drone is involved. We give the number after the list of destinations, because that is what says how much work there really is.
Yes. The files, including the full-resolution originals, are yours and you use them wherever you like. If people appear in them a release is needed, and we handle that.
One to two weeks from the shoot for the edited selection, faster if it is urgent. The additional formats agreed in the list come with it, not after.
No, and anyone who says otherwise has not looked at the maps. Near airports, over gatherings and in certain zones you need authorisation or it is forbidden outright. We check first and tell you: if it cannot be done, we find another angle.
Photography when the product exists and can be photographed: it costs less and communicates better. Rendering when it does not exist yet, when it has to be shown in endless configurations, or when getting it onto a set would cost more than rebuilding it.
Yes, and it is quick if the subject was framed for that crop. Which is exactly why the list of destinations gets made before the set, not after.
fymera init --project "yours"
Thirty minutes on video to build the list of destinations. From there comes how much production you genuinely need — often less than you thought.
